
The Importance of Vividness and Continuousness: Gardner stresses that a story must be *alive* for the reader. This aliveness comes from vivid, concrete details that engage the senses and create a strong impression. He uses the example of describing a room – rather than saying 'it was a messy room,' a writer should show *how* it was messy, detailing specific objects and their arrangement. Equally important is 'continuousness,' meaning the story unfolds in a way that feels inevitable and organically connected. Every scene should build upon the last, and every detail should contribute to the overall effect.
Moral Responsibility in Fiction: This is perhaps Gardner's most controversial, yet central, argument. He believes that all fiction, even seemingly amoral or cynical works, operates within a moral framework. The writer has a responsibility to present characters and situations honestly and to avoid gratuitous cruelty or exploitation. He doesn't advocate for preachy or didactic stories, but rather for stories that grapple with moral complexities and offer a nuanced understanding of human behavior. A story that simply revels in darkness without acknowledging its consequences, for example, is considered artistically flawed.
The 'Dream' and the Art of Illusion: Gardner uses the metaphor of a dream to describe the experience of reading good fiction. A successful story creates a compelling illusion, drawing the reader into a world that feels real and immersive. This illusion isn't achieved through elaborate descriptions or fantastical elements, but through a consistent and believable internal logic. The writer must avoid 'waking the reader' – breaking the spell with inconsistencies, clichés, or self-consciousness. He emphasizes the importance of showing, not telling, allowing the reader to infer meaning and experience the story directly.
The Value of Revision: Gardner dedicates significant attention to the revision process, arguing that it's where a good story becomes a great one. He encourages writers to be ruthless in their self-editing, cutting unnecessary words, strengthening weak passages, and ensuring that every element of the story serves a purpose. Revision isn't just about fixing errors; it's about refining the vision and polishing the execution. He suggests reading your work aloud to catch awkward phrasing and pacing issues.
| Reading on Gutenburg | Free reading |
| Get Paperback Version on Amazon | Buy a book |
| Suggest Book : Steering the Craft Book | Get on Amazon |